Here is very nice street photography. Enjoy it!

“A refreshing break for professional photographers and inspiration for beginners who long to color outside the lines. ” The Cool Tricks and Trinkets Newsletter Issue #191

“Nitsa is a photographic interpreter of people in the urban scene. Her work is published via world wide web, printed books, and periodic framed print exhibits. Much of it, though capturing both human subject and urban setting, does not center upon either but rather the interplay between them. Elements of paradox and surprise are often strong. ” David Morgan, Los Angeles 2005

“…But as much as I looked into photography as it was presented through its different forms I realized something was not working out for me. It didn’t flow with the feel and natural drive I had. This drive which sent me out to the streets finding random scenes. I found no interest in the amount or the conditions of light. I didn’t care about the shapes or colors, which came together to construct the picture. Obviously I was neither a photographer nor striving to become one…are you listening? hey! wake up!” Nitsa, one day

Some nice street photography from Korea.

iN-PUBLiC was set up in 2000 to provide a home for street photographers.

Our aim is to promote street photography and to continue to explore its possibilities. All the photographers featured here have been invited to show their work because they have the ability to see the unusual in the everyday and to capture the moment. The pictures remind us that, if we let it, over-familiarity can make us blind to what’s really going on in the world around us.

Keep your eyes open next time you’re in-public!

I’ve can’t remember not being interested in photography, in my early teens I taught myself the basics of the black & white darkroom, but it wasn’t until much later, around 97/98, that I took up street photography with something of a passion.

About 80% of my photographs are taken with a 28mm lens, I like to get in close, to make a connection with my subject and hopefully draw the viewer in as well. There’s nothing I like better than to wander around town, camera strapped to my wrist, ready to react when something comes my way.

As for influences, well I started out on the path laid down by Eugene Atget, Walker Evan, Robert Frank and then took a lot of diversions by way of Garry Winogrand, Bruce Davidson and most of the Magnum photographers, in fact I’m discovering and re-discovering photographers all the time. In spirit, I’m probably closest to Agtet.